20.30, Gledališče Park / Park Theatre
Compagnie Leïla Ka (FR)
BOUFFÉES quintet / 15 min /
nakup vstopnice / ticket purchase
Koreografinja / Choreographer: Leïla Ka
Nastopajoče ( v alternaciji) / Performers (alternating): Jennifer Dubreuil, Jane Fournier Dumet, Leïla Ka, Mathilde Roussin, Aïda Ben Hassine, Anna Tierney, Jade Logmo, Inès Lopez, Salomé Moro
Produkcija / Production: Compagnie Leïla Ka
Koprodukcija in partnerja / Coproduction and partners: Espace 1789, 104-Paris
Compagnie Leïla Ka (FR)
BOUFFÉES quintet / 15 min /
nakup vstopnice / ticket purchase
Koreografinja / Choreographer: Leïla Ka
Nastopajoče ( v alternaciji) / Performers (alternating): Jennifer Dubreuil, Jane Fournier Dumet, Leïla Ka, Mathilde Roussin, Aïda Ben Hassine, Anna Tierney, Jade Logmo, Inès Lopez, Salomé Moro
Produkcija / Production: Compagnie Leïla Ka
Koprodukcija in partnerja / Coproduction and partners: Espace 1789, 104-Paris
SI
Mirujoče, obrnjene proti občinstvu, si pet žensk briše lica, ki jih močijo solze. Kakšno žalost prenašajo? Ali je njihova? Z Bouffées / Puhlicami si Leïla Ka predstavlja, kako pozdraviti neozdravljivo – sprejeti žalost in jo spremeniti v medij moči in oživitve?
Mirujoče, obrnjene proti občinstvu, si pet žensk briše lica, ki jih močijo solze. Kakšno žalost prenašajo? Ali je njihova? Z Bouffées / Puhlicami si Leïla Ka predstavlja, kako pozdraviti neozdravljivo – sprejeti žalost in jo spremeniti v medij moči in oživitve?
EN
Standing still, facing the public, five women wipe their cheeks soaked in tears. What sorrow do they bear? Does it belong to them? With Bouffées, Leïla Ka imagines how to heal the "incurable”: to welcome grief in order to transform it into a medium of power and revival?
Standing still, facing the public, five women wipe their cheeks soaked in tears. What sorrow do they bear? Does it belong to them? With Bouffées, Leïla Ka imagines how to heal the "incurable”: to welcome grief in order to transform it into a medium of power and revival?
YOU'RE THE ONE WE LOVE duet / 25 min /
Koreografinja / Choreographer: Leïla Ka
Nastopajoče ( v alternaciji) / Performers (alternating) : Mathilde Roussin, Océane Crouzier, Mat Iéva
Oblikovalec luči / Light designer: Laurent Fallot
Koprodukcija in partnerji / Coproduction and partners: Centre Des Arts, Conseil Départemental Loire Atlantique, Cour Et Jardin, L’espace 1789, L’étoile Du Nord, La Becquée, Iadu - La Villette, Le Théâtre - Scène Nationale, Le 104 Laboratoire Des Cultures Urbaines, Sept Cent Quatre Vingt Trois, Cie 29.27, Micadanses, Cie Diptyk, Région Des Pays De Loire
Koreografinja / Choreographer: Leïla Ka
Nastopajoče ( v alternaciji) / Performers (alternating) : Mathilde Roussin, Océane Crouzier, Mat Iéva
Oblikovalec luči / Light designer: Laurent Fallot
Koprodukcija in partnerji / Coproduction and partners: Centre Des Arts, Conseil Départemental Loire Atlantique, Cour Et Jardin, L’espace 1789, L’étoile Du Nord, La Becquée, Iadu - La Villette, Le Théâtre - Scène Nationale, Le 104 Laboratoire Des Cultures Urbaines, Sept Cent Quatre Vingt Trois, Cie 29.27, Micadanses, Cie Diptyk, Région Des Pays De Loire
SI
Dve sta, lahko pa jih je sto ali tisoč. Skupaj se podajo na pot; negotove, bolne, včasih srečne, in poskušajo, upajoč na najboljše, čeprav jih najbrž čaka najslabše.
Soočajo se s težavami, a lahko le ugibamo, s katerimi, saj o njih ne vemo ničesar. Naše junakinje so včasih nepremagljive, drugič tragično ranljive: napredujejo, se upirajo, včasih se zrušijo, a se neutrudno borijo, dokler ne začutijo, da jim usiha moč. Na vijugasti poti, sestavljeni iz trenutkov zmage in šibkosti, kjer se prepletata upanje in razočaranje, je Ti si tisti, ki ga ljubimo, hlepenje po upanju, ko telo slavi, kar mu je najbolj drago, ta življenjski impulz, ki nas drži pokonci.
Dve sta, lahko pa jih je sto ali tisoč. Skupaj se podajo na pot; negotove, bolne, včasih srečne, in poskušajo, upajoč na najboljše, čeprav jih najbrž čaka najslabše.
Soočajo se s težavami, a lahko le ugibamo, s katerimi, saj o njih ne vemo ničesar. Naše junakinje so včasih nepremagljive, drugič tragično ranljive: napredujejo, se upirajo, včasih se zrušijo, a se neutrudno borijo, dokler ne začutijo, da jim usiha moč. Na vijugasti poti, sestavljeni iz trenutkov zmage in šibkosti, kjer se prepletata upanje in razočaranje, je Ti si tisti, ki ga ljubimo, hlepenje po upanju, ko telo slavi, kar mu je najbolj drago, ta življenjski impulz, ki nas drži pokonci.
EN
There are two of them, but there could be a hundred or a thousand of them. Together, they set off wobbly, ill or sometimes happy, and give it a go perhaps for the best but probably for the worst. They face adversity, but we can only guess what, for we know nothing about it. Our heroines are in turn invincible or tragically vulnerable: they advance, resist, sometimes collapse, but fight tirelessly until they sense their strength is waning. In a winding trajectory made of moments of victory and weakness where hope and disillusionment combine,
You’re the one we love is a cry of hope where the body exults in what it holds most dear, this vital impulse that keeps us standing.
There are two of them, but there could be a hundred or a thousand of them. Together, they set off wobbly, ill or sometimes happy, and give it a go perhaps for the best but probably for the worst. They face adversity, but we can only guess what, for we know nothing about it. Our heroines are in turn invincible or tragically vulnerable: they advance, resist, sometimes collapse, but fight tirelessly until they sense their strength is waning. In a winding trajectory made of moments of victory and weakness where hope and disillusionment combine,
You’re the one we love is a cry of hope where the body exults in what it holds most dear, this vital impulse that keeps us standing.
PODE SER solo / 17 min /
Koreografinja / Choreographer: Leïla Ka
Nastopajoča / Performer: Anna Tierney
Oblikovalec luči / Light designer: Laurent Fallot
Koprodukcija in partnerji / Coproduction and partners: Centre Des Arts, Conseil Départemental Loire Atlantique, Cour Et Jardin, L’espace 1789, L’étoile Du Nord, La Becquée, Iadu - La Villette, Le Théâtre - Scène Nationale, Le 104 Laboratoire Des Cultures Urbaines, Sept Cent Quatre Vingt Trois, Cie 29.27, Micadanses, Cie Diptyk, Région Des Pays De Loire
Koreografinja / Choreographer: Leïla Ka
Nastopajoča / Performer: Anna Tierney
Oblikovalec luči / Light designer: Laurent Fallot
Koprodukcija in partnerji / Coproduction and partners: Centre Des Arts, Conseil Départemental Loire Atlantique, Cour Et Jardin, L’espace 1789, L’étoile Du Nord, La Becquée, Iadu - La Villette, Le Théâtre - Scène Nationale, Le 104 Laboratoire Des Cultures Urbaines, Sept Cent Quatre Vingt Trois, Cie 29.27, Micadanses, Cie Diptyk, Région Des Pays De Loire
SI
Pode Ser ponazarja težavo biti samosvoj; gre za vprašanje omejitev in teženj, pa tudi zmešnjave. Morda zmešnjave vpetosti v svet in biti samo sam.
Leïla Ka se skozi različne koreografske jezike sama poda v surov dialog, v iskanje več identitet, ki določajo osebo. Umetnica, ki je v ples vstopila prek hip-hopa in nastopala tudi v koreografiji Maguy Marin May B, se sooča z odnosom do sebe, do drugih in do družbe ter se spusti v nekakšen neskončen boj. Boj, ki ga zaznavamo, poteka hkrati s sabo in z veljavnimi normami. Gre za presenetljiv solo o težavah biti sam, ki je v nekaj mesecih dosegel mednarodno priznanje. Po več kot 200 uprizoritvah od nastanka je bil solo Pode Ser, ki ga je sprva plesala Leila Ka, leta 2022 prenešen plesalki Anni Tierney.
Pode Ser ponazarja težavo biti samosvoj; gre za vprašanje omejitev in teženj, pa tudi zmešnjave. Morda zmešnjave vpetosti v svet in biti samo sam.
Leïla Ka se skozi različne koreografske jezike sama poda v surov dialog, v iskanje več identitet, ki določajo osebo. Umetnica, ki je v ples vstopila prek hip-hopa in nastopala tudi v koreografiji Maguy Marin May B, se sooča z odnosom do sebe, do drugih in do družbe ter se spusti v nekakšen neskončen boj. Boj, ki ga zaznavamo, poteka hkrati s sabo in z veljavnimi normami. Gre za presenetljiv solo o težavah biti sam, ki je v nekaj mesecih dosegel mednarodno priznanje. Po več kot 200 uprizoritvah od nastanka je bil solo Pode Ser, ki ga je sprva plesala Leila Ka, leta 2022 prenešen plesalki Anni Tierney.
EN
Pode Ser illustrates the difficulty of being oneself; it is a question of limits and aspirations but also of disarray. Perhaps the disarray of being in the world and of being only oneself. Leïla Ka ventures alone into a raw dialogue, through different choreographic languages, in search of the multiple identities that constitute a person.
The artist who entered dance through hip-hop and performed for Maguy Marin in May B, confronts the relationship to the self, to others and to society, and throws herself into a kind of never-ending struggle. A struggle that we sense is both with herself and assigned norms.
A striking solo on the difficulties of being one’s self, that within months gained international recognition. After more than 200 representations since its creation, le solo Pode ser, at first performed by Leila Ka, has been taught to Anna Tierney in 2022.
Pode Ser illustrates the difficulty of being oneself; it is a question of limits and aspirations but also of disarray. Perhaps the disarray of being in the world and of being only oneself. Leïla Ka ventures alone into a raw dialogue, through different choreographic languages, in search of the multiple identities that constitute a person.
The artist who entered dance through hip-hop and performed for Maguy Marin in May B, confronts the relationship to the self, to others and to society, and throws herself into a kind of never-ending struggle. A struggle that we sense is both with herself and assigned norms.
A striking solo on the difficulties of being one’s self, that within months gained international recognition. After more than 200 representations since its creation, le solo Pode ser, at first performed by Leila Ka, has been taught to Anna Tierney in 2022.
− pogovor z ustvarjalci v preddverju / artist talk in the lobby
