19.00, ploščad pred gradom / castle platform
Ginevra Panzetti, Enrico Ticconi (IT)
AeReA / 25 min /
Zvok / Sound: Demetrio Castellucci Luč / Light: Annegret Schalke
Kostumi / Costumes: Ginevra Panzetti / Enrico Ticconi
Svetovalec za vihranje zastav / Flag waving coach: Carlo Lobina
Tehnika / Technical care: Paolo Tizianel, Michele Piazzi
Organizatorka / company manager - Aurélie Martin
Vodenje produkcije / Production management: VAN
Projekt je nastal s pomočjo / Realized through the support of: Premio Hermès Danza Triennale Milano
Ginevra Panzetti, Enrico Ticconi (IT)
AeReA / 25 min /
Zvok / Sound: Demetrio Castellucci Luč / Light: Annegret Schalke
Kostumi / Costumes: Ginevra Panzetti / Enrico Ticconi
Svetovalec za vihranje zastav / Flag waving coach: Carlo Lobina
Tehnika / Technical care: Paolo Tizianel, Michele Piazzi
Organizatorka / company manager - Aurélie Martin
Vodenje produkcije / Production management: VAN
Projekt je nastal s pomočjo / Realized through the support of: Premio Hermès Danza Triennale Milano
SI
A e R e A je prvi del diptiha, ki se osredotoča na predmet, ki je v osnovi načeloma izražal ideje pripadnosti in ločenosti ter označeval razliko med hipotetičnim nami in njimi: zastavo.
V nenehni bližini, kot del ene same anatomije, se ljudje in zastave pojavljajo iz goste teme in postajajo edini pogonski motor podob. Srebrno sive zastave so očiščene znakov in simbolov, pripeljane do svoje gibljive esence, ničelne točke brez konotacij, v kateri se lahko vse pojavi, začne ali izgine. Kot da bi pripadale bližnji ali daljni preteklosti, se figure duhov oblikujejo skozi vrsto razkritij, ki vzbujajo tesno in starodavno bratstvo med dvema tekstilnima predmetoma – zastavo in prtom.
Naslov je sestavljen iz dveh besed, ki se lahko grafično prekrivata in združita v en sam izraz: ARA - AeReA. Prva, ARA, namiguje na kraj, ki je bil v antičnih časih namenjen žrtvovanju, tukaj razumljenem kot mehanizem, ki ustvarja smrt, in je bil kot darilo namenjen tistim, ki so imeli največ moči. Drugi izraz, AEREA (prid. zrak), označuje fizično lastnost zastave, ki doseže največji izraz moči, ko je dvignjena in lebdi v zraku.
A e R e A je prvi del diptiha, ki se osredotoča na predmet, ki je v osnovi načeloma izražal ideje pripadnosti in ločenosti ter označeval razliko med hipotetičnim nami in njimi: zastavo.
V nenehni bližini, kot del ene same anatomije, se ljudje in zastave pojavljajo iz goste teme in postajajo edini pogonski motor podob. Srebrno sive zastave so očiščene znakov in simbolov, pripeljane do svoje gibljive esence, ničelne točke brez konotacij, v kateri se lahko vse pojavi, začne ali izgine. Kot da bi pripadale bližnji ali daljni preteklosti, se figure duhov oblikujejo skozi vrsto razkritij, ki vzbujajo tesno in starodavno bratstvo med dvema tekstilnima predmetoma – zastavo in prtom.
Naslov je sestavljen iz dveh besed, ki se lahko grafično prekrivata in združita v en sam izraz: ARA - AeReA. Prva, ARA, namiguje na kraj, ki je bil v antičnih časih namenjen žrtvovanju, tukaj razumljenem kot mehanizem, ki ustvarja smrt, in je bil kot darilo namenjen tistim, ki so imeli največ moči. Drugi izraz, AEREA (prid. zrak), označuje fizično lastnost zastave, ki doseže največji izraz moči, ko je dvignjena in lebdi v zraku.
EN
A e R e A is the first part of a diptych that focuses on an object which has always functioned in principle to express ideas of belonging and separation, marking the distinction between a hypothetical us and them: the flag. In constant proximity, as part of a single anatomy, humans and flags emerge from a thick darkness, becoming the only propulsive motor of images. Silvery gray, the flags are cleansed of signs and symbols, brought to their plastic essence. A zero point without connotations in which everything can emerge, begin or disappear. As if belonging to a near or remote past, spectral figures take form through a score of unveilings, evoking a close and ancient brotherhood between two textile objects, flag and shroud.
The title takes two words that can be graphically overlapped and merged into a single term: ARA - AEREA. The first one, ARA, alludes to the place that in ancient times was dedicated to the sacrifice, here understood as a death-generating mechanism, inflicted as a gift on those invested with the highest power. The second term, AeReA (adj. air), indicates the physical quality of the flag, which achieves its greatest expression of power once hoisted, billowing in the air.
A e R e A is the first part of a diptych that focuses on an object which has always functioned in principle to express ideas of belonging and separation, marking the distinction between a hypothetical us and them: the flag. In constant proximity, as part of a single anatomy, humans and flags emerge from a thick darkness, becoming the only propulsive motor of images. Silvery gray, the flags are cleansed of signs and symbols, brought to their plastic essence. A zero point without connotations in which everything can emerge, begin or disappear. As if belonging to a near or remote past, spectral figures take form through a score of unveilings, evoking a close and ancient brotherhood between two textile objects, flag and shroud.
The title takes two words that can be graphically overlapped and merged into a single term: ARA - AEREA. The first one, ARA, alludes to the place that in ancient times was dedicated to the sacrifice, here understood as a death-generating mechanism, inflicted as a gift on those invested with the highest power. The second term, AeReA (adj. air), indicates the physical quality of the flag, which achieves its greatest expression of power once hoisted, billowing in the air.
