20.00, Gledališče Park / Park Theatre
Ginevra Panzetti, Enrico Ticconi (IT)
ARA! ARA! / 50 min /
nakup vstopnice / ticket purchase
Koreografija, izvedba, vizualna zasnova / Choreography, performance, visual conception: Ginevra Panzetti / Enrico Ticconi
Oblikovanje zvoka, kompozicija / Sound design, composition: Demetrio Castellucci Snare, tolkala, posnetek / Snare, percussions, recording: Michele Scotti Oblikovanje luči / Light design: Annegret Schalke
Izdelava scenografije / Set design realisation: Laila Rosato Izdelava kostumov / Costume realisation: Julia Didier Oblikovanje zastav / Flags design: Ginevra Panzetti Svetovalec za vihranje zastav / Flag-waving coach: Carlo Lobina / Flag-wavers of Arezzo
Dramaturško svetovanje / Dramaturgical advice: Thomas Schaupp
Tehnična izvedba / Technical care: Michele Piazzi, Paolo Tizianel Vodja skupine / Company manager: Aurélie Martin Italijansko vodenje produkcije / Italian production management: VAN (Federica Giuliano, Eleonora Cavallo)
Nemško vodenje produkcije / German production management: Monica Ferrari
Produkcija / Production: Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN
Finančna podpora / Funded by: Hauptstadtkulturfonds (German Cultural Capital Fund) S podporo / Supported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program Koprodukcija / Co-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of Culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national «Art et création» pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro
Podpora / Supported through: Programme Etape Danse, sustained by Institut français d’Allemagne - Bureau du Théâtre et de la Danse, in partnership with Maison CDCN Uzès Gard Occitanie, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création - danse contemporaine, Fabrik Potsdam, with the help of DGCA - ministère de la Culture et de la Communication, the city of Potsdam, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung
Programi umetniških rezidenc / Artist residency programmes: NAOcrea - Ariella Vidach AiEP; Teatro Félix Guattari - Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi
Zahvala / Thanks to: Teatro Comandini - Societas; Anghiari Dance Hub Ginevro Panzetti in Enrica Ticconi podpira DIEHL+RITTER/TANZPAKT RECONNECT, ki ga financira Zvezni vladni komisar za kulturo in medije Zvezne republike Nemčije v okviru iniciative NEUSTART KULTUR /
Ginevra Panzetti and Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative
Ginevra Panzetti, Enrico Ticconi (IT)
ARA! ARA! / 50 min /
nakup vstopnice / ticket purchase
Koreografija, izvedba, vizualna zasnova / Choreography, performance, visual conception: Ginevra Panzetti / Enrico Ticconi
Oblikovanje zvoka, kompozicija / Sound design, composition: Demetrio Castellucci Snare, tolkala, posnetek / Snare, percussions, recording: Michele Scotti Oblikovanje luči / Light design: Annegret Schalke
Izdelava scenografije / Set design realisation: Laila Rosato Izdelava kostumov / Costume realisation: Julia Didier Oblikovanje zastav / Flags design: Ginevra Panzetti Svetovalec za vihranje zastav / Flag-waving coach: Carlo Lobina / Flag-wavers of Arezzo
Dramaturško svetovanje / Dramaturgical advice: Thomas Schaupp
Tehnična izvedba / Technical care: Michele Piazzi, Paolo Tizianel Vodja skupine / Company manager: Aurélie Martin Italijansko vodenje produkcije / Italian production management: VAN (Federica Giuliano, Eleonora Cavallo)
Nemško vodenje produkcije / German production management: Monica Ferrari
Produkcija / Production: Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN
Finančna podpora / Funded by: Hauptstadtkulturfonds (German Cultural Capital Fund) S podporo / Supported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program Koprodukcija / Co-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of Culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national «Art et création» pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro
Podpora / Supported through: Programme Etape Danse, sustained by Institut français d’Allemagne - Bureau du Théâtre et de la Danse, in partnership with Maison CDCN Uzès Gard Occitanie, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création - danse contemporaine, Fabrik Potsdam, with the help of DGCA - ministère de la Culture et de la Communication, the city of Potsdam, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung
Programi umetniških rezidenc / Artist residency programmes: NAOcrea - Ariella Vidach AiEP; Teatro Félix Guattari - Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi
Zahvala / Thanks to: Teatro Comandini - Societas; Anghiari Dance Hub Ginevro Panzetti in Enrica Ticconi podpira DIEHL+RITTER/TANZPAKT RECONNECT, ki ga financira Zvezni vladni komisar za kulturo in medije Zvezne republike Nemčije v okviru iniciative NEUSTART KULTUR /
Ginevra Panzetti and Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative
SI
Kot bi izstopili iz tkanine nenehno plapolajočih zastav, heraldični simboli dobijo obliko in težo. Pojavijo se himerična bitja in onirične figure, kot so listanje po arborialu ali srednjeveškem bestiariju. Zdi se, da nam pripovedujejo zgodbe o konfliktih, ki so se odvijali na dobro omejenem obodu simboličnega bojišča. V antičnih časih so se grafični znaki in barvne kombinacije pojavljali na oklepih kot odgovor na vojaško potrebo po prepoznavanju nasprotnih frakcij med boji. Tako so nastali grbi, sistemi znakov, oblik in barv, organizirani v obliki, pogosto v obliki ščita. Uporabljali so jih za razkrivanje identitete osebe, družine, celotne skupnosti v skladu z natančno abecedo znakov. V obliki živih barv in fantastičnih živali ti emblemi namigujejo na politične napetosti, izraze pripadnosti, prevlade in moči. ARA! ARA! je oznaka simbola. Simbol vzhajajoče sile, ki si izbere ptico za svojo predstavitev. Ne veličastnega in strašljivega plenilca, kot je orel, žival, ki se pogosto uporablja kot heraldični simbol moči. Prav nasprotno; ptico, ki sporoča zabavo in mir, tako da po priljubljenem zahodnjaškem prepričanju postane eksotična ikona: papiga ARA. V cirkus so jo uvedli zaradi njenih akrobatskih sposobnosti, ki so jo skupaj s svetlimi barvami njenega perja in sposobnostjo ponavljanja zvokov in besed z imitacijo naredile za popolno žival za zabavo v ujetništvu.
ARA! ARA! predstavlja zapeljivo moč zaradi svojega prijaznega in prazničnega videza, ki tako kot ptica posnema in ponavlja, pri čemer obuja vzorce iz preteklosti, ignorira vsebino in učinke. Drugi del diptiha, ki se je začel z AeReA, ARA! ARA! nadaljuje z raziskovanjem simbolne moči zastave, pri čemer se opira na folklorno tradicijo mahanja z zastavo.
Beseda ARA, ki je prisotna v obeh naslovih, razkriva drugi pomen, ki namiguje na starodavni kraj žrtvovanja, tukaj mišljen kot mehanizem, ki ustvarja smrt, zadano kot darilo tistim, ki so bili priznani kot najvišja oblast.
Kot bi izstopili iz tkanine nenehno plapolajočih zastav, heraldični simboli dobijo obliko in težo. Pojavijo se himerična bitja in onirične figure, kot so listanje po arborialu ali srednjeveškem bestiariju. Zdi se, da nam pripovedujejo zgodbe o konfliktih, ki so se odvijali na dobro omejenem obodu simboličnega bojišča. V antičnih časih so se grafični znaki in barvne kombinacije pojavljali na oklepih kot odgovor na vojaško potrebo po prepoznavanju nasprotnih frakcij med boji. Tako so nastali grbi, sistemi znakov, oblik in barv, organizirani v obliki, pogosto v obliki ščita. Uporabljali so jih za razkrivanje identitete osebe, družine, celotne skupnosti v skladu z natančno abecedo znakov. V obliki živih barv in fantastičnih živali ti emblemi namigujejo na politične napetosti, izraze pripadnosti, prevlade in moči. ARA! ARA! je oznaka simbola. Simbol vzhajajoče sile, ki si izbere ptico za svojo predstavitev. Ne veličastnega in strašljivega plenilca, kot je orel, žival, ki se pogosto uporablja kot heraldični simbol moči. Prav nasprotno; ptico, ki sporoča zabavo in mir, tako da po priljubljenem zahodnjaškem prepričanju postane eksotična ikona: papiga ARA. V cirkus so jo uvedli zaradi njenih akrobatskih sposobnosti, ki so jo skupaj s svetlimi barvami njenega perja in sposobnostjo ponavljanja zvokov in besed z imitacijo naredile za popolno žival za zabavo v ujetništvu.
ARA! ARA! predstavlja zapeljivo moč zaradi svojega prijaznega in prazničnega videza, ki tako kot ptica posnema in ponavlja, pri čemer obuja vzorce iz preteklosti, ignorira vsebino in učinke. Drugi del diptiha, ki se je začel z AeReA, ARA! ARA! nadaljuje z raziskovanjem simbolne moči zastave, pri čemer se opira na folklorno tradicijo mahanja z zastavo.
Beseda ARA, ki je prisotna v obeh naslovih, razkriva drugi pomen, ki namiguje na starodavni kraj žrtvovanja, tukaj mišljen kot mehanizem, ki ustvarja smrt, zadano kot darilo tistim, ki so bili priznani kot najvišja oblast.
EN
As slipping out of the cloth of constantly fluttering flags, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield.
In ancient times, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms, systems of signs, shapes and colors organized in a form, often that of a shield. They were used to reveal, according to a precise sign alphabet, the identity of a person, a family, a whole community. In the form of vivid colors and fantastic beasts, those emblems hint at political tensions, expressions of belonging, dominance and power.
ARA! ARA! is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle, an animal often used as a heraldic symbol of power. On the contrary, a bird that communicates fun and quietness by becoming, according to a popular western look, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation, made it a perfect animal for entertainment in captivity.
ARA! ARA! represents a seductive power for its friendly and festive appearance that, like the bird, imitates and repeats, bringing back patterns from the past, ignoring contents and effects. The second part of a diptych started with AeReA, ARA! ARA! continues to investigate the symbolic power of the flag, drawing on the folkloristic tradition of flag waving.
Present in both titles, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice, here meant as a mechanism generating death, inflicted as a gift to those who were recognized the highest power.
As slipping out of the cloth of constantly fluttering flags, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield.
In ancient times, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms, systems of signs, shapes and colors organized in a form, often that of a shield. They were used to reveal, according to a precise sign alphabet, the identity of a person, a family, a whole community. In the form of vivid colors and fantastic beasts, those emblems hint at political tensions, expressions of belonging, dominance and power.
ARA! ARA! is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle, an animal often used as a heraldic symbol of power. On the contrary, a bird that communicates fun and quietness by becoming, according to a popular western look, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation, made it a perfect animal for entertainment in captivity.
ARA! ARA! represents a seductive power for its friendly and festive appearance that, like the bird, imitates and repeats, bringing back patterns from the past, ignoring contents and effects. The second part of a diptych started with AeReA, ARA! ARA! continues to investigate the symbolic power of the flag, drawing on the folkloristic tradition of flag waving.
Present in both titles, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice, here meant as a mechanism generating death, inflicted as a gift to those who were recognized the highest power.
− pogovor z ustvarjalci v preddverju / artist talk in the lobby
