29. avgust/August 29

ob 20.00 (Gledališče Park)

at 8 pm (Park Theatre)

SPOMIN VODE

THE MEMORY OF WATER

Maša Kolar (HR)

Koreografija/Choreography: Maša Kolar

Plesalci/Dancers: Ksenija Krutova, Ana Rocha Nene & Maša Kolar

Kostumograf/Costume design: Petra Dančević

Scenografija/Set design: Marta Crnobrnja

Lučno oblikovanje/Light design: Nuno Salsinha

Zvok/Sound: Tomica Kraljić

Produkcija/Production: Maša Kolar

V sodelovanju s/In collaboration with: Hipp & ZPC

Drama Spomin vode angleške dramatičarke Shelagh Stephenson je bila v Angliji in Združenih državah velika uspešnica.

Čeprav je pričujočo instalacijo spodbudila omenjena tragikomedija, pa avtorice k besedilu ni pritegnila sama zgodba, temveč so jo navdihnili nekateri fragmenti in prizori ter v njej spodbudili čustva, ki se jim ni mogla upreti …

Tri sestre (vsaka povezava s Čehovom je nepotrebna) se po dolgem času spet srečajo ter se spominjajo svojega otroštva in mladosti, ob čemer se med njimi razvije popolnoma nov in nepričakovan sestrski odnos, ki se interaktivno – na odru, v studiu in zunaj studia – vzpostavlja na nenavadno ženski način. Čustva, ki jih obvladujejo, največkrat nimajo nobene zveze z dejanskostjo. So se mar tri sestre znašle v spletu zmot, fikcije in samoprevare ali morda njihove spomine začenja uokvirjati neka nova resnica, s katero skušajo popraviti napake oziroma nadomestiti tisto, kar so v resničnem življenju zamudile?

Edina konkretna povezava s plesno instalacijo je vloga “spomina vode”, ki v sebi domnevno nosi spomin na še tako majhno snov, ki je bila vanjo potopljena.

“The Memory of Water” written by British playwright Shelagh Stephenson was a big hit in theatres across Great Britain and the US.

Even though my first motive for dance installation that you have in front of you was Stephenson’s tragicomedy, what has really drawn my attention wasn’t its story but the fragments and scenes which have inspired me and awaken the feelings hard to resist...

Three sisters (any association to Chekhov is unnecessary) reunite and recall their childhood and youth developing an utterly new and unexpected sisterly relation, interactively – on stage, in the studio, outside of it - in an odd female way, completely unaware. The feelings they have often don’t have similarities with what the reality really was.

Are the three of them caught in a web of fallacy, fiction and self-deception or do their memories get frames of some new truth which is an attempt to correct the mistakes and omissions from the real life?

The only reliable link in this dance installation is the role of “The Memory of Water” which is believed to remember even the smallest substance soaked in it.