Sreda, 26. avgust, ob 20.30, telovadnica Osnovne šole I, Murska Sobota



Liz King / Dance Identity (D.ID)

“Transitory Option”

Avstrija


Koreografija: Liz King

Nastop: Claire Granier, Tomas Danielis

Glasba: Soundcollage

Odrska postavitev in luč: Manfred Biskup

Produkcija: D.ID / Dance Identity Production


Izhajajoč iz motiva vzorcev predestinacije – vnaprejšnje določitve človekovega bivanja, se na fiktivno pokrajino umeščata dve plešoči telesi, ki nas s kopičenjem spomina in navezovanjem na povsem nov in spremenjen čas uvajata v novonastalo hiperrealno srečanje med realnostjo in fikcijo. S tem, ko izvajajo simulacijo izvirnega, ustvarjajo novo resničnost in pri tem modificirajo ustaljene vzorce ter postajajo neka povsem nova različica njih samih.


Z učinki, ki jih doprinesejo simulacijske preobrazbe, poskušajo kritično preizprašati zmuzljivo definiranje resničnega in ponarejenega, dejanskega in namišljenega. Projekt je rekonstrukcijska pasaža ustvarjalnega repertoarja zadnjih 20 let Liz King. S pridobljenimi praksami novih tehnik se je srečala z dvema plesalcema novodobne generacije in z njima utelesila ter pospešila časovni proces.

Wednesday, 26th August at 20:30, Gym of the Primary

School I, Murska Sobota



Liz King / Dance Identity (D.ID)

“Transitory Option”

Austria


Choreography: Liz King

Performers: Claire Granier, Tomas Danielis

Music: Soundcollage

Stage setting and light: Manfred Biskup

Production: D.ID / Dance Identity Production


Departing from the motif of predestination patterns – predetermination of human existence, two dancing bodies move through the fictitious landscape and introduce us to a freshly emerged hyperreal meeting between the reality and fiction by amassing the memory and linking up to a totally new and changed time. By simulation of the original, they create a new reality, modifying the established patterns and becoming an entirely new version of themselves. 


With the effects contributed by simulation transformations, they try to critically re-question the elusive definition of the real and the fake, the actual and the imagined. The project is a reconstruction passage of the creative repertoire of the last 20 years of Liz King. By the acquired practices of new techniques, she met with two dancers of the new era generation and with them embodied and accelerated the time process. 

 
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