Sobota, 29. avgust, ob 20.30, telovadnica Osnovne šole I, Murska Sobota

Zagrebački plesni ansambl

“Stripped”

Hrvaška

Plešejo: Sara Barbieri, Zrinka Lukčec, Andreja Široki, Tomislav Kvartuč, Marin Lemić, Marko Milić, Nikola Orešković, Ognjen Vučinić

Koreografija: Snježana Abramović Milković

Dramaturgija: Saša Božić

Oblikovanje luči in scene: Branko Cvjetičanin

Kostumografija: Dženisa Pecotić

Glasba: Damir Šimunović

Glasbeni svetovalec za opero: Zlatko Madžar

Asistent koreografa: Ognjen Vučinić

Sodelavec za kostumografijo: Emina Tataragić

Izvršna produkcija: Mirna Čubranić

Stripped je resen, premišljen plesni projekt, ki ironizira sodobnost in moško-ženske odnose, vzporedno temu pa se polašča govorice aluzij in izrisuje specifičen baročni prostor imaginacije. Stalna zmedenost predhodno oblikovanih vlog, ki so prevzete iz oper, poskuša uveljaviti osvoboditev od stereotipov, ki danes še vedno prevladujejo pri oblikovanju mnenj in posledično tudi celostnih doživetij. Žanr melodrame operira z velikimi temami, močnimi afekti in melanholičnimi občutki izgube; obenem pa ves čas obljublja nenaden (srečen) preobrat, ki bi z enim samim zamahom zasukal v smer nekega drugega časa in usode. Z vztrajanjem v nepričakovanih prekinitvah in umeščanjem gest znotraj stalnega pretoka giba doseže koreografija nepričakovano napetost.

Stripped ironizira svoje lastne postopke in kode v diskurzu sodobnega plesa, vzajemno k temu pa postavlja središčno vprašanje: Ali poskušamo izluščiti, sleči, iztrgati našo zunanjost? Sploh želimo vedeti, kaj se skriva pod našo povrhnjico? Paradoksalno je, da predstava pravzaprav slavi in kuje v višave površinskost, ne pa »zareze« vanjo. Stripped uprizarja "spektakel površine in zunanjosti", vendar pri tem neobhodno opozarja na pogubne forme spektakularnosti v današnjem času – predvsem času kritičnega reduciranja in pomanjkanja pristnih čustev.

Po končanih nastopih bo na prizorišču potekal pogovor o predstavah, ki ga bo moderirala Jedrt J. Furlan.

Saturday, 29th August at 20:30, Gym of the Primary School I, Murska Sobota

Zagrebački plesni ansambl (Zagreb Dance Ensemble)

“Stripped”

Croatia

Dancers: Sara Barbieri, Zrinka Lukčec, Andreja Široki, Tomislav Kvartuč, Marin Lemić, Marko Milić, Nikola Orešković, Ognjen Vučinić

Choreography: Snježana Abramović Milković

Dramaturgy: Saša Božić

Light and scenery design: Branko Cvjetičanin

Costumography: Dženisa Pecotić

Music: Damir Šimunović

Music adviser for opera: Zlatko Madžar

Assistant to choreographer: Ognjen Vučinić

Assistant for costumography: Emina Tataragić

Executive production: Mirna Čubranić

Stripped is a serious, premeditated dance project which speaks ironically of the contemporary time and male-female relationships and simultaneously appropriates the language of allusions and delineates a specific baroque space of imagination. Constant chaos of the pre-cast roles taken from the operas attempts to bring forth liberation from the stereotypes that today still continue to dominate the shaping of opinions and subsequently also the integral experience. The genre of melodrama operates with major themes, strong emotions and melancholic feelings of loss, while all the time it promises a sudden (happy) turnabout of events, changing the direction towards another time and destiny by a single stroke. The choreography attains unexpected tension by insisting on unexpected interruptions and placing of gestures within the constant flow of the movement.

Stripped makes irony out of its own procedures and codes in the discourse of contemporary dance and simultaneously poses a central question: are we trying to shell, undress, tear out our appearance? Do we want to know at all what is hiding under our epidermis? It is a paradox that the performance in fact celebrates and praises the superficiality and does not “cut” into it. Stripped presents a “spectacle of superficiality and appearance”, but in doing so it inevitably warns of the disastrous forms of spectacularity in the present times – particularly in the time of critical reduction and lack of genuine emotions.

After the performance there will be a discussion hosted by Jedrt J. Furlan.