sreda, 28. avgust / Wednesday, 28 August
20.00 Gledališče Park/ Park Theatre
Jesús Rubio Gamo, En–Knap, Zagreb Dance Ensemble (ES, SI, HR)
GRAN BOLERO
Idejna zasnova in koreografija / Concept and choreography: Jesús Rubio Gamo
Asistentka koreografije / Choreography assistant: Alicia Cabrero
Asistentka koreografije v Sloveniji in na Hrvaškem / Choreography assistant in Slovenia and Croatia: Clara Pampyn
Plesalci / Dancers: En–Knap Group (Núria Capella Florensa, Mattia Cason, Tina Habun, Davide Lafabiana, Tamás Tuza, Carolina Alessandra Valentini) & Zagrebški plesni ansambel (Luna Lilek, Nika Lilek, Silvija Musić, Endi Schrötter, Linda Tarnovski, Karlo Topolovec)
Glasba / Music: José Pablo Polo, na osnovi glasbe / based on: Boléro (Maurice Ravel)
Oblikovanje svetlobe / Lighting design: Leon Curk, David Picaza
Urejanje zvoka / Sound editing: Gal Škrjanec Skaberne
Kostumografija / Costumes: Katarina Markov (Atelje d.o.o.)
Vodja vaj EKG / EKG rehearsal director: Ana Štefanec Knez
Vodja vaj ZPA / ZPA rehearsal director: Petra Valentić
Fotografija / Photography: Andrej Lamut, Jelena Janković
Produkcija / Production: Zavod En–Knap in Zagrebški plesni ansambel / En–Knap Productions & Zagreb Dance Company
Gran Bolero (2023) je orkestriranje, instrumentiranje dueta plesnih skupin, ansamblov, odnosov, relacij med skupinama in v skupini skozi ponavljanje oz. stopnjevanje, da bi natanko v napetosti tistega 'še!', gona, vztrajanja, izčrpavanja, ki se ne izčrpa, vzniknila skupnost, njena vez, njeno tkivo, njena meja, njen presežek. Znova in znova. In še vedno in še vedno. Ponavljanje ne ubija, ponavljanje odrešuje.
V koreografiji se šest plesalcev En–Knap Group in šest plesalcev Zagrebškega plesnega ansambla vrne k Ravelovi glasbeni partituri. Predstava je velika koprodukcijska priredba in nadgradnja predstave, ki je bila narejena za dva španska ansambla in je požela izjemne kritike ter številne nagrade. Med drugim je prejela nagrado MAX (španska nagrada za uprizoritveno umetnost) kot najboljša plesna produkcija leta 2020.
Gran Bolero (2023) is an orchestrating, instrumenting of groups, relations, and relationships between groups and in a group, through repetition as looping, or escalation, for the community to emerge – its bond, tissue, limit, surplus – precisely in the tension of that 'more!', that drive, that persistence, that exhaustion that never exhausts itself. Again and again. And over and over. Repetition doesn't kill; repetition saves.
With Gran Bolero, six En–Knap Group dancers and six from the Zagreb Dance Company return to Ravel's score. The performance is a major co-production and an extension of a piece made for two Spanish ensembles. It received outstanding reviews and numerous awards, including the MAX Award (Spanish Performing Arts Award) as the best dance production of 2020.
21.30 pogovor z ustvarjalci / artist talk
20.00 Gledališče Park/ Park Theatre
Jesús Rubio Gamo, En–Knap, Zagreb Dance Ensemble (ES, SI, HR)
GRAN BOLERO
Idejna zasnova in koreografija / Concept and choreography: Jesús Rubio Gamo
Asistentka koreografije / Choreography assistant: Alicia Cabrero
Asistentka koreografije v Sloveniji in na Hrvaškem / Choreography assistant in Slovenia and Croatia: Clara Pampyn
Plesalci / Dancers: En–Knap Group (Núria Capella Florensa, Mattia Cason, Tina Habun, Davide Lafabiana, Tamás Tuza, Carolina Alessandra Valentini) & Zagrebški plesni ansambel (Luna Lilek, Nika Lilek, Silvija Musić, Endi Schrötter, Linda Tarnovski, Karlo Topolovec)
Glasba / Music: José Pablo Polo, na osnovi glasbe / based on: Boléro (Maurice Ravel)
Oblikovanje svetlobe / Lighting design: Leon Curk, David Picaza
Urejanje zvoka / Sound editing: Gal Škrjanec Skaberne
Kostumografija / Costumes: Katarina Markov (Atelje d.o.o.)
Vodja vaj EKG / EKG rehearsal director: Ana Štefanec Knez
Vodja vaj ZPA / ZPA rehearsal director: Petra Valentić
Fotografija / Photography: Andrej Lamut, Jelena Janković
Produkcija / Production: Zavod En–Knap in Zagrebški plesni ansambel / En–Knap Productions & Zagreb Dance Company
Gran Bolero (2023) je orkestriranje, instrumentiranje dueta plesnih skupin, ansamblov, odnosov, relacij med skupinama in v skupini skozi ponavljanje oz. stopnjevanje, da bi natanko v napetosti tistega 'še!', gona, vztrajanja, izčrpavanja, ki se ne izčrpa, vzniknila skupnost, njena vez, njeno tkivo, njena meja, njen presežek. Znova in znova. In še vedno in še vedno. Ponavljanje ne ubija, ponavljanje odrešuje.
V koreografiji se šest plesalcev En–Knap Group in šest plesalcev Zagrebškega plesnega ansambla vrne k Ravelovi glasbeni partituri. Predstava je velika koprodukcijska priredba in nadgradnja predstave, ki je bila narejena za dva španska ansambla in je požela izjemne kritike ter številne nagrade. Med drugim je prejela nagrado MAX (španska nagrada za uprizoritveno umetnost) kot najboljša plesna produkcija leta 2020.
Gran Bolero (2023) is an orchestrating, instrumenting of groups, relations, and relationships between groups and in a group, through repetition as looping, or escalation, for the community to emerge – its bond, tissue, limit, surplus – precisely in the tension of that 'more!', that drive, that persistence, that exhaustion that never exhausts itself. Again and again. And over and over. Repetition doesn't kill; repetition saves.
With Gran Bolero, six En–Knap Group dancers and six from the Zagreb Dance Company return to Ravel's score. The performance is a major co-production and an extension of a piece made for two Spanish ensembles. It received outstanding reviews and numerous awards, including the MAX Award (Spanish Performing Arts Award) as the best dance production of 2020.
21.30 pogovor z ustvarjalci / artist talk
Gran Bolero, foto / photo: Andrej Lamut
četrtek, 29. avgust / Thursday, 29 August
18.00 Odprti oder v Trubarjevem drevoredu / Open Stage
OPUS1 izbor plesnih miniatur 2024 / selection of short dance pieces 2024 (SI, BE, UA)
Gaja Skender Rozman (SI)
Srednja vzgojiteljska šola, gimnazija in umetniška gimnazija Ljubljana
ZVITA / TWISTED
Mentor: Urška Vohar
Alena Marčič & Neža Pogelšek (SI)
KUD Plesni forum Celje
JABOLKO SPORA / THE CLASH APPLE
Mentor: Gordana Stefanović Erjavec
Lanthe van der Pol (BE)
Royal Conservatoire Antwerp
DJANGAN TAKOET
Nika Podkoritnik (SI)
REMINISCENCE JAZA / REMINISCENCES OF SELF
Rea Vogrin (SI)
84 000 VRAT / 84 000 DOORS
Mentor: Gašper Kunšek
Lina Golihleb (SI)
Plesno društvo TBA
IKAR / ICARUS
Mentor: Patricija Crnkovič
Kseniya Starkova (UA)
ON - ONA - MI / HE - SHE - WE
Mentor: Daria Koval
Plesne miniature so bile izbrane na 15. mednarodnem tekmovanju mladih plesnih ustvarjalcev OPUS1 2024 v Celju, ki ga vsako leto organizira Javni sklad Republike Slovenije za kulturne dejavnosti. V dveh starostnih kategorijah (plesalci rojeni med 2000−2004 in 2005−2008) je bilo med enaindvajsetimi izbranih sedem miniatur. Predpisani temi sta bili Biti žival in Karkoli.
The short dance pieces were selected at the 15th international competition of young dancers OPUS1 2024 in Celje, organized annually by the Public Fund of the Republic of Slovenia for Cultural Activities. Seven pieces were selected from twenty-one in two age categories (dancers born between 2000−2004 and between 2005−2008). The underlying themes of the pieces were Being an Animal and Whatever.
18.45 pogovor z ustvarjalci / artist talk
18.00 Odprti oder v Trubarjevem drevoredu / Open Stage
OPUS1 izbor plesnih miniatur 2024 / selection of short dance pieces 2024 (SI, BE, UA)
Gaja Skender Rozman (SI)
Srednja vzgojiteljska šola, gimnazija in umetniška gimnazija Ljubljana
ZVITA / TWISTED
Mentor: Urška Vohar
Alena Marčič & Neža Pogelšek (SI)
KUD Plesni forum Celje
JABOLKO SPORA / THE CLASH APPLE
Mentor: Gordana Stefanović Erjavec
Lanthe van der Pol (BE)
Royal Conservatoire Antwerp
DJANGAN TAKOET
Nika Podkoritnik (SI)
REMINISCENCE JAZA / REMINISCENCES OF SELF
Rea Vogrin (SI)
84 000 VRAT / 84 000 DOORS
Mentor: Gašper Kunšek
Lina Golihleb (SI)
Plesno društvo TBA
IKAR / ICARUS
Mentor: Patricija Crnkovič
Kseniya Starkova (UA)
ON - ONA - MI / HE - SHE - WE
Mentor: Daria Koval
Plesne miniature so bile izbrane na 15. mednarodnem tekmovanju mladih plesnih ustvarjalcev OPUS1 2024 v Celju, ki ga vsako leto organizira Javni sklad Republike Slovenije za kulturne dejavnosti. V dveh starostnih kategorijah (plesalci rojeni med 2000−2004 in 2005−2008) je bilo med enaindvajsetimi izbranih sedem miniatur. Predpisani temi sta bili Biti žival in Karkoli.
The short dance pieces were selected at the 15th international competition of young dancers OPUS1 2024 in Celje, organized annually by the Public Fund of the Republic of Slovenia for Cultural Activities. Seven pieces were selected from twenty-one in two age categories (dancers born between 2000−2004 and between 2005−2008). The underlying themes of the pieces were Being an Animal and Whatever.
18.45 pogovor z ustvarjalci / artist talk
Djangan Takoet, foto / photo: Tomaž Črnej
četrtek, 29. avgust / Thursday, 29 August
20.00 Gledališče Park/ Park Theatre
Anton Lachky, Central European Dance Theatre (BE, HU)
AGELESS GENERATION
Koreograf / Choreographer: Anton Lachky
Plesalci / Dancers: Lídia Sinka, Edmond Kisbakonyi, Léna Horváth, Krisztián Barna, Dávid Dabóczi, Réka Gyevnár, Mohai Cintia, Kindl Gábor
Luč / Light: Mercédesz Selmeczi
Glasba / Music: Madla
Vodja produkcije / Production manager: Réka Gerlits
Stiki z javnostjo / Communication: Sára Lujza Tóth
Umetniški vodja / Artistic director: László Mádi
Umetniški koordinator/ Artistic manager: Virág Sóthy
Umetniška sodelavka / Artistic collaborator: Katalin Fodor
Najnovejša koreografija Antona Lachkyja za plesalce Srednjeevropskega plesnega teatra razgrne pred nami svet kontrastov, poveže generacije in kulture ter nas popelje v niz zgodb, kjer se vse zdi mogoče. Vrtinči se kot voda, včasih te nežno objame in poboža z rahlim ljubečim dotikom, včasih noro vzkipi in te s svojo močjo posrka vase.
V predstavi lahko občudujemo noro hitrost v virtuoznosti in barvitih koreografskih prizorih. Nato pa lahko po aplavzu iščemo odgovore, zakaj je vse to privlačno, ob zavedanju, da je nevzdržno, tako kot je tempo dela pogosto prignan do skrajnosti. Kako torej nadaljujemo z običajnim ravnanjem?
Anton Lachky's latest choreography for the Central Europe Dance Theatre dancers takes us into a world of contrasts, connecting generations and cultures and transporting us to a series of stories where anything seems possible. It swirls like water, sometimes softly enveloping you and caressing you with a light, loving touch, sometimes surging madly and sucking you in with its power.
We can enjoy the choreography's crazy speed, virtuosity, and colourful scenes . Then, after the applause, we can search for answers as to why all this is appealing while knowing that it is unsustainable, just as the pace of the work is often pushed to the limit. So, how do we move on with our lives?
21.30 pogovor z ustvarjalci / artist talk
20.00 Gledališče Park/ Park Theatre
Anton Lachky, Central European Dance Theatre (BE, HU)
AGELESS GENERATION
Koreograf / Choreographer: Anton Lachky
Plesalci / Dancers: Lídia Sinka, Edmond Kisbakonyi, Léna Horváth, Krisztián Barna, Dávid Dabóczi, Réka Gyevnár, Mohai Cintia, Kindl Gábor
Luč / Light: Mercédesz Selmeczi
Glasba / Music: Madla
Vodja produkcije / Production manager: Réka Gerlits
Stiki z javnostjo / Communication: Sára Lujza Tóth
Umetniški vodja / Artistic director: László Mádi
Umetniški koordinator/ Artistic manager: Virág Sóthy
Umetniška sodelavka / Artistic collaborator: Katalin Fodor
Najnovejša koreografija Antona Lachkyja za plesalce Srednjeevropskega plesnega teatra razgrne pred nami svet kontrastov, poveže generacije in kulture ter nas popelje v niz zgodb, kjer se vse zdi mogoče. Vrtinči se kot voda, včasih te nežno objame in poboža z rahlim ljubečim dotikom, včasih noro vzkipi in te s svojo močjo posrka vase.
V predstavi lahko občudujemo noro hitrost v virtuoznosti in barvitih koreografskih prizorih. Nato pa lahko po aplavzu iščemo odgovore, zakaj je vse to privlačno, ob zavedanju, da je nevzdržno, tako kot je tempo dela pogosto prignan do skrajnosti. Kako torej nadaljujemo z običajnim ravnanjem?
Anton Lachky's latest choreography for the Central Europe Dance Theatre dancers takes us into a world of contrasts, connecting generations and cultures and transporting us to a series of stories where anything seems possible. It swirls like water, sometimes softly enveloping you and caressing you with a light, loving touch, sometimes surging madly and sucking you in with its power.
We can enjoy the choreography's crazy speed, virtuosity, and colourful scenes . Then, after the applause, we can search for answers as to why all this is appealing while knowing that it is unsustainable, just as the pace of the work is often pushed to the limit. So, how do we move on with our lives?
21.30 pogovor z ustvarjalci / artist talk
Ageless Generation, foto / photo: CEDT
petek, 30. avgust / Friday, 30 August
18.00−20.00 Odprti oder, Trubarjev drevored, grajska ploščad, park / Open Stage, castle platform, park
OPEN CITY III (UK, ES, HU, SE, SI)
Festival Front@ že od samih začetkov raziskuje različne načine predstavljanja sodobnega plesa izven gledaliških dvoran, sredi mestnega vrveža, na različnih prizoriščih v parku in ob poteh naključnih mimoidočih. Na ta način želimo spodbuditi odzive in dialog med mestom in njegovimi prebivalci na eni strani ter različnimi plesnimi ustvarjalci na drugi. Odprta mesta definira in oblikuje živahna komunikacija na različnih ravneh, zato smo v odprtih mednarodnih pozivih plesne ustvarjalce že večkrat povabili k predstavitvam njihovih del v negledališkem okolju. Tokratni izbor Odprto mesto III je nastal po pozivu v letu 2023, na katerega se je prijavilo devetinpetdeset avtorjev.
From the beginning, the Front@ festival has been exploring different ways of presenting contemporary dance outside the theatre halls, in the middle of the city hustle, at various sites in the park, and along the paths of random passers-by. In this way, we want to encourage a response and dialogue between the city and its inhabitants on the one hand and various dance creators on the other. Open cities are defined and shaped by lively communication on multiple levels, which is why we have, through an open call, several times invited dance artists to present their works in a non-theatrical environment. The Open City III presents works selected from the 2023 call to which fifty-nine authors applied.
Odprti predali (SI)
VELIKANI - plastične pokrajine / GIANTS - plastic landscapes
Koncept, koreografija, režija / Concept, choreography, visual design: Ajda Tomazin
Soustvarjanje, ples / Co-creation, dance: Špela Premelč
Avtorska glasba / Original music: Drejc Pogačnik, Sašo Tepina
Oblikovanje prostora in kostumov / Space and costume design: Ajda Tomazin
Pomoč pri izdelavi scenskih elementov / Help with scenography : Gall Močnik
Patricia Hastewell Puig & Noé Ferey (ES)
LES PASSANTS / POTNIKA
Ustvarjalca in nastopajoča / Creators and performers: Patricia Hastewell Puig Noé Ferey
Glasba / Music: Daniel Munarriz Senosiain
Sodelavec za glasbo/ Music collaborator: Irati Goñi Leoz
Oblikovanje kostumov/ Costume design: Gabriela Lotaif Patricia Hastewell Puig
Malcom Sutherland (UK)
LOST FOR WORDS / BREZ BESED
Koreograf / Choreographer: Malcolm Sutherland
Glasba / Music: Davidson Jaconello,
Plesalca / Dancers: Sakura Inoue, Malcolm Sutherland
Urša Rupnik & Luka Ostrež (SI)
IŠČOČA / SEEKERS
Avtorja in plesalca / Authors and dancers: Urša Rupnik, Luka Ostrež
Glasba / Music: David Nik Lipovac, David Kocmur
ZeroPlus DanceWorks, Gyula Berger (HU)
APPARENT DUALITY / OČITNA DVOJNOST
Koreograf / Choreographer: Gyula Berger
Nastopajoča / Performers: Alejandra Rosas, Dóra Varga
Glasba / Music: Attila Szabó, Sumac Dub, Pan Sonic, Sidsel Endresen & Bugge Wesseltoft
Clara Ferrao Diz & Carlos Salomón Penso López (ES)
LA CURA / ZDRAVILO
Koreografija in ples / Choreography and dance: Clara Ferrao Diz, Carlos Salomón Penso López
Glasba / Music: Nils Frahm, Murcof, Pan Sonic and Joep Beving, Maarten Vos
Elisabeth Raymond (SE)
“Forever flow of wet long fingers at least some millions touching the lights of one another (love u like e.t. )” /
“Večni tok mokrih dolgih prstov, vsaj nekaj milijonov, ki se dotikajo luči drug drugega (ljubim te kot e.t.)”
Koreogrtafija / Choreography: Elisabeth Raymond
Nastopajoči / Performers: Linnea Sundling, Elisabeth Raymond
Glasba / Music: Cicely Irvine
20.30 grajsko dvorišče, pogovor z ustvarjalci / castle yard, artist talk
18.00−20.00 Odprti oder, Trubarjev drevored, grajska ploščad, park / Open Stage, castle platform, park
OPEN CITY III (UK, ES, HU, SE, SI)
Festival Front@ že od samih začetkov raziskuje različne načine predstavljanja sodobnega plesa izven gledaliških dvoran, sredi mestnega vrveža, na različnih prizoriščih v parku in ob poteh naključnih mimoidočih. Na ta način želimo spodbuditi odzive in dialog med mestom in njegovimi prebivalci na eni strani ter različnimi plesnimi ustvarjalci na drugi. Odprta mesta definira in oblikuje živahna komunikacija na različnih ravneh, zato smo v odprtih mednarodnih pozivih plesne ustvarjalce že večkrat povabili k predstavitvam njihovih del v negledališkem okolju. Tokratni izbor Odprto mesto III je nastal po pozivu v letu 2023, na katerega se je prijavilo devetinpetdeset avtorjev.
From the beginning, the Front@ festival has been exploring different ways of presenting contemporary dance outside the theatre halls, in the middle of the city hustle, at various sites in the park, and along the paths of random passers-by. In this way, we want to encourage a response and dialogue between the city and its inhabitants on the one hand and various dance creators on the other. Open cities are defined and shaped by lively communication on multiple levels, which is why we have, through an open call, several times invited dance artists to present their works in a non-theatrical environment. The Open City III presents works selected from the 2023 call to which fifty-nine authors applied.
Odprti predali (SI)
VELIKANI - plastične pokrajine / GIANTS - plastic landscapes
Koncept, koreografija, režija / Concept, choreography, visual design: Ajda Tomazin
Soustvarjanje, ples / Co-creation, dance: Špela Premelč
Avtorska glasba / Original music: Drejc Pogačnik, Sašo Tepina
Oblikovanje prostora in kostumov / Space and costume design: Ajda Tomazin
Pomoč pri izdelavi scenskih elementov / Help with scenography : Gall Močnik
Patricia Hastewell Puig & Noé Ferey (ES)
LES PASSANTS / POTNIKA
Ustvarjalca in nastopajoča / Creators and performers: Patricia Hastewell Puig Noé Ferey
Glasba / Music: Daniel Munarriz Senosiain
Sodelavec za glasbo/ Music collaborator: Irati Goñi Leoz
Oblikovanje kostumov/ Costume design: Gabriela Lotaif Patricia Hastewell Puig
Malcom Sutherland (UK)
LOST FOR WORDS / BREZ BESED
Koreograf / Choreographer: Malcolm Sutherland
Glasba / Music: Davidson Jaconello,
Plesalca / Dancers: Sakura Inoue, Malcolm Sutherland
Urša Rupnik & Luka Ostrež (SI)
IŠČOČA / SEEKERS
Avtorja in plesalca / Authors and dancers: Urša Rupnik, Luka Ostrež
Glasba / Music: David Nik Lipovac, David Kocmur
ZeroPlus DanceWorks, Gyula Berger (HU)
APPARENT DUALITY / OČITNA DVOJNOST
Koreograf / Choreographer: Gyula Berger
Nastopajoča / Performers: Alejandra Rosas, Dóra Varga
Glasba / Music: Attila Szabó, Sumac Dub, Pan Sonic, Sidsel Endresen & Bugge Wesseltoft
Clara Ferrao Diz & Carlos Salomón Penso López (ES)
LA CURA / ZDRAVILO
Koreografija in ples / Choreography and dance: Clara Ferrao Diz, Carlos Salomón Penso López
Glasba / Music: Nils Frahm, Murcof, Pan Sonic and Joep Beving, Maarten Vos
Elisabeth Raymond (SE)
“Forever flow of wet long fingers at least some millions touching the lights of one another (love u like e.t. )” /
“Večni tok mokrih dolgih prstov, vsaj nekaj milijonov, ki se dotikajo luči drug drugega (ljubim te kot e.t.)”
Koreogrtafija / Choreography: Elisabeth Raymond
Nastopajoči / Performers: Linnea Sundling, Elisabeth Raymond
Glasba / Music: Cicely Irvine
20.30 grajsko dvorišče, pogovor z ustvarjalci / castle yard, artist talk
"forewer flow…", foto / photo: Stallberg
sobota, 31. avgust / Saturday, 31 August
10.00 - 14.00 MiKK, grad/ castle
Art Republic – Iva Horvat (ES,HR):
O mednarodnih gostovanjih − kako internacionalizirati plesno predstavo, predavanje in delavnica
On International Touring − how to internationalise your dance performance, lecture and workshop
Delavnica je namenjena umetnikom, producentom, organizatorjem in strokovnjakom, povezanim s sektorjem uprizoritvenih umetnosti.
Iva Horvat je plesalka, koreografinja, režiserka in univerzitetna profesorica kineziologije. Diplomirala je na Univerzi v Zagrebu. Je mentorica in profesorica managementa in distribucije ter profesorica na HKU, Hogeschool voor de Kunsten Utrecht. Vodila je številne delavnice za različne organizacije po Evropi in Južni Ameriki.
Skupaj z Elise Garriga je ustanovila agencijo za strategije in mobilnost v scenskih umetnostih Art Republic, ki ponuja kolektivno in individualno študijo konkretnega projekta in vključuje razvoj možnih mednarodnih strategij skozi poučevanje, mentorstvo in prakso.
Cilj delavnice je prispevati k osebnemu strateškemu načrtu za projekt udeleženca, z namenom internacionalizacije in prilagoditve za določen trg. Gre za individualni in kolektivni mentorski proces posameznih projektov, ki obravnava razvoj zavedanja in uvajanja kreativnih mehanizmov ter posodobitve konkretnih strategij.
Delavnica bo v angleškem jeziku.
Obvezne prijave na predavanje in delavnico: flota@flota.si.
The workshop is directed to artists, producers, managers, and professionals related to the performing arts sector.
Iva Horvat is a university professor of kinesiology. She graduated from the University of Zagreb and is a dancer, choreographer, and stage director in dance and theatre. Horvat is a mentor and professor in management and distribution and a fellow professor at HKU, Hogeschool voor de Kunsten Utrecht. She has conducted numerous workshops for various organisations throughout Europe and South America.
Together with Elise Garriga, she founded the agency for strategies and mobility in performing arts Art Republic, which offers a collective and individual study of a concrete project, including the development of possible international strategies through teaching, mentoring, and practice.
The workshop’s primary goal is to assist participants in developing a personalised strategic plan for their projects. The plan is focused on internationalisation and its projection on the specific market. It is an individual and collective mentoring process of particular projects that considers the development of awareness, the implantation of creative mechanisms and updates on concrete strategies.
The workshop will be held in English language.
Mandatory registration for lecture and workshop: flota@flota.si
10.00 - 14.00 MiKK, grad/ castle
Art Republic – Iva Horvat (ES,HR):
O mednarodnih gostovanjih − kako internacionalizirati plesno predstavo, predavanje in delavnica
On International Touring − how to internationalise your dance performance, lecture and workshop
Delavnica je namenjena umetnikom, producentom, organizatorjem in strokovnjakom, povezanim s sektorjem uprizoritvenih umetnosti.
Iva Horvat je plesalka, koreografinja, režiserka in univerzitetna profesorica kineziologije. Diplomirala je na Univerzi v Zagrebu. Je mentorica in profesorica managementa in distribucije ter profesorica na HKU, Hogeschool voor de Kunsten Utrecht. Vodila je številne delavnice za različne organizacije po Evropi in Južni Ameriki.
Skupaj z Elise Garriga je ustanovila agencijo za strategije in mobilnost v scenskih umetnostih Art Republic, ki ponuja kolektivno in individualno študijo konkretnega projekta in vključuje razvoj možnih mednarodnih strategij skozi poučevanje, mentorstvo in prakso.
Cilj delavnice je prispevati k osebnemu strateškemu načrtu za projekt udeleženca, z namenom internacionalizacije in prilagoditve za določen trg. Gre za individualni in kolektivni mentorski proces posameznih projektov, ki obravnava razvoj zavedanja in uvajanja kreativnih mehanizmov ter posodobitve konkretnih strategij.
Delavnica bo v angleškem jeziku.
Obvezne prijave na predavanje in delavnico: flota@flota.si.
The workshop is directed to artists, producers, managers, and professionals related to the performing arts sector.
Iva Horvat is a university professor of kinesiology. She graduated from the University of Zagreb and is a dancer, choreographer, and stage director in dance and theatre. Horvat is a mentor and professor in management and distribution and a fellow professor at HKU, Hogeschool voor de Kunsten Utrecht. She has conducted numerous workshops for various organisations throughout Europe and South America.
Together with Elise Garriga, she founded the agency for strategies and mobility in performing arts Art Republic, which offers a collective and individual study of a concrete project, including the development of possible international strategies through teaching, mentoring, and practice.
The workshop’s primary goal is to assist participants in developing a personalised strategic plan for their projects. The plan is focused on internationalisation and its projection on the specific market. It is an individual and collective mentoring process of particular projects that considers the development of awareness, the implantation of creative mechanisms and updates on concrete strategies.
The workshop will be held in English language.
Mandatory registration for lecture and workshop: flota@flota.si
Iva Horvat, foto / photo: zasebni arhiv/ private archive
sobota, 31. avgust / Saturday, 31 August
18.00 Odprti oder v Trubarjevem drevoredu, park, grajska ploščad / Open Stage, park, castle platform
Beyond Front@ − Bridging Periphery (SE, PL, HU, SI, HR, RO)
DANCE COMMUNICATION LAB
umetniško vodstvo / artistic direction: Andreja Rauch (SI)
DCL − plesni laboratorij je namenjen spoznavanju plesnih ustvarjalcev iz različnih držav skozi improvizacijo, ki je najpogostejši postopek ustvarjanja v sodobnem plesu. Plesalci skozi voden proces zaznavajo skupne interese, ki lahko vodijo do novih umetniških sodelovanj v prihodnosti. Ob zaključku ustvarjalci predstavijo večdnevni proces v improvizacijskem dogodku javnosti.
DCL–Dance Laboratory is aimed at dance creators from different countries getting to know each other through improvisation, the most common creative process in contemporary dance. Through a guided process, the dancers perceive common interests that can lead to new artistic collaborations in the future. At the end, the participants present the several-day long process in an improvisational event to the public.
18.30 pogovor z ustvarjalci / artist talk
18.00 Odprti oder v Trubarjevem drevoredu, park, grajska ploščad / Open Stage, park, castle platform
Beyond Front@ − Bridging Periphery (SE, PL, HU, SI, HR, RO)
DANCE COMMUNICATION LAB
umetniško vodstvo / artistic direction: Andreja Rauch (SI)
DCL − plesni laboratorij je namenjen spoznavanju plesnih ustvarjalcev iz različnih držav skozi improvizacijo, ki je najpogostejši postopek ustvarjanja v sodobnem plesu. Plesalci skozi voden proces zaznavajo skupne interese, ki lahko vodijo do novih umetniških sodelovanj v prihodnosti. Ob zaključku ustvarjalci predstavijo večdnevni proces v improvizacijskem dogodku javnosti.
DCL–Dance Laboratory is aimed at dance creators from different countries getting to know each other through improvisation, the most common creative process in contemporary dance. Through a guided process, the dancers perceive common interests that can lead to new artistic collaborations in the future. At the end, the participants present the several-day long process in an improvisational event to the public.
18.30 pogovor z ustvarjalci / artist talk
Dance Communication Lab, 18.Front@, foto / photo: Anka Simončič
sobota, 31. avgust / Saturday, 31 August
20.00 Gledališče Park / Park Theatre
Jung Ha Neul (KR)
EMOTIONAL DISTANCE
15’
Koreograf / Chorographer: Jung Ha Neul
Plesalci / Dancers: Jung Ha Neul, Choi Ye Won, Choi Ho-Jong
Glasba / Music: Jang Ji Ho
Kostumi / Costumes: Choi In Sook
Vodja vaj / Rehearsal director: Younhchae Kim
Čustvena distanca gradi zgodbo o avtobiografskih dogodkih v posameznikovem subjektivnem in deklarativnem spominu. Od rojstva se spominjamo anekdotičnih spominov, kot so čas, kraj, čustva in znanje, ter čutimo čustveno oddaljenost od preteklosti.
Vsi vzdržujemo različne razdalje, včasih pa si le dovolimo, da se približamo drug drugemu, le trenutek kasneje pa smo še bolj narazen. V tem trenutku je čustvena distanca neizogibna.
Emotional Distance is a building story about autobiographical events in an individual's subjective and declarative memory. From birth, we recall anecdotal memories such as time, place, emotion, and knowledge and sense emotional distance from the past.
We all maintain different distances but, sometimes, we allow ourselves to get close(r) to each other only to be further apart just a moment later. At that moment, emotional distance is unavoidable.
Kim Won Young (KR)
OBSERVATION OF LIFE AND DEATH
18’
Koreograf / Chorographer: Kim Won Yeong
Plesalci / Dancers: Kim Won Yeong, Chu Se Ryeong,Lee Seung Ah, Hwang Seo Young
Glasbeniki / Musicians: Lee Mok [E:MOK], janggu: Jo Bong-guk, geomungo an midi: Kim Joo Hyeon
Svetovanje / Advisor: Jaesung Kim
Kim Won Young raziskuje zavest kot dokaz življenja, ki se kaže v procesu mišljenja in čustvenih izkušnjah. Predstava Opazovanje življenja in smrti je odsev neštetih trenutkov, od katerih vsak bledi kot življenje, ki se zdi kratko kot tlesk prstov.
Kim Won Young explores consciousness as proof of life, as indicated in the process of thinking and emotional experiences. The performance Observation of Life and Death reflects moments, each fading like life, which seems as short as snapping a finger.
Choi Ho Jeong (KR)
PEAK
17’
Koreograf / Chorographer: Choi Ho Jeong
Plesalci / Dancers: Choi Ho Jeong, Choi Jeong Hong, Jang Soo Beom, Choi Ye Won, Oh Hyeon Taek, Kim Seok Hyun
Glasba / Music: Jang Ji Ho
Kostumi / Costumes: Choi In Sook
Peak poskuša zajeti vrhunec, ki ga lahko občutimo ob dosegi fizičnega cilja. Choi Ho Jeong v energičnem plesu raziskuje občutke v stopnjah raziskovanja in vznemirjenja, ki določajo pot ambicioznega človeka, neutrudno vzpenjajočega se od enega cilja do drugega.
Peak attempts to express the climax that can be felt when reaching a physical goal. Through his energetic dance, Choi Ho Jeong explores feelings in stages of exploration and excitement that define the path of an ambitious person ascending tirelessly from one objective to another.
21.30 pogovor z ustvarjalci / artist talk
20.00 Gledališče Park / Park Theatre
Jung Ha Neul (KR)
EMOTIONAL DISTANCE
15’
Koreograf / Chorographer: Jung Ha Neul
Plesalci / Dancers: Jung Ha Neul, Choi Ye Won, Choi Ho-Jong
Glasba / Music: Jang Ji Ho
Kostumi / Costumes: Choi In Sook
Vodja vaj / Rehearsal director: Younhchae Kim
Čustvena distanca gradi zgodbo o avtobiografskih dogodkih v posameznikovem subjektivnem in deklarativnem spominu. Od rojstva se spominjamo anekdotičnih spominov, kot so čas, kraj, čustva in znanje, ter čutimo čustveno oddaljenost od preteklosti.
Vsi vzdržujemo različne razdalje, včasih pa si le dovolimo, da se približamo drug drugemu, le trenutek kasneje pa smo še bolj narazen. V tem trenutku je čustvena distanca neizogibna.
Emotional Distance is a building story about autobiographical events in an individual's subjective and declarative memory. From birth, we recall anecdotal memories such as time, place, emotion, and knowledge and sense emotional distance from the past.
We all maintain different distances but, sometimes, we allow ourselves to get close(r) to each other only to be further apart just a moment later. At that moment, emotional distance is unavoidable.
Kim Won Young (KR)
OBSERVATION OF LIFE AND DEATH
18’
Koreograf / Chorographer: Kim Won Yeong
Plesalci / Dancers: Kim Won Yeong, Chu Se Ryeong,Lee Seung Ah, Hwang Seo Young
Glasbeniki / Musicians: Lee Mok [E:MOK], janggu: Jo Bong-guk, geomungo an midi: Kim Joo Hyeon
Svetovanje / Advisor: Jaesung Kim
Kim Won Young raziskuje zavest kot dokaz življenja, ki se kaže v procesu mišljenja in čustvenih izkušnjah. Predstava Opazovanje življenja in smrti je odsev neštetih trenutkov, od katerih vsak bledi kot življenje, ki se zdi kratko kot tlesk prstov.
Kim Won Young explores consciousness as proof of life, as indicated in the process of thinking and emotional experiences. The performance Observation of Life and Death reflects moments, each fading like life, which seems as short as snapping a finger.
Choi Ho Jeong (KR)
PEAK
17’
Koreograf / Chorographer: Choi Ho Jeong
Plesalci / Dancers: Choi Ho Jeong, Choi Jeong Hong, Jang Soo Beom, Choi Ye Won, Oh Hyeon Taek, Kim Seok Hyun
Glasba / Music: Jang Ji Ho
Kostumi / Costumes: Choi In Sook
Peak poskuša zajeti vrhunec, ki ga lahko občutimo ob dosegi fizičnega cilja. Choi Ho Jeong v energičnem plesu raziskuje občutke v stopnjah raziskovanja in vznemirjenja, ki določajo pot ambicioznega človeka, neutrudno vzpenjajočega se od enega cilja do drugega.
Peak attempts to express the climax that can be felt when reaching a physical goal. Through his energetic dance, Choi Ho Jeong explores feelings in stages of exploration and excitement that define the path of an ambitious person ascending tirelessly from one objective to another.
21.30 pogovor z ustvarjalci / artist talk
Peak, foto / photo: arhiv SCF/ SCF archive