Režija/ Direction: Matjaž Pograjc
Besedilo/ Text: Daša Doberšek, Branko Jordan, Nataša Matjašec
Igrajo/ Cast: Ivan Godnič-Alwa, Niko Goršič-Schigolch, Olga Grad-Jack the Ripper,
Olga Kacjan-Geschwiška, Sandi Pavlin-Schwarz, Pavle Ravnohrib-Schön, Jadranka Tomažič-Henrieta
Dramaturgija/ Dramaturgy: Željko Hrs
Scenografija/ Scenography: Sandi Mikluž, Mateja Benedetti
Kostumografija/ Costumography: Maja Ljubotina
Koreografija/ Choreography: Branko Potočan
Glasba/ Music: Silence
Lektorica/ Language consultant: Mateja Dermelj
Oblikovanje zvoka/ Sound Design: Marijan Sajovic
Oblikovanje luči/ Light design: Tomaž Štrucl
Oblikovanje maske/ Make-up design: Barbara Pavlin
Vodja predstave/ Stage manager: Janez Pavlovčič
Besedilo drame Lulubaj so po motivih Wedekindove Lulu oziroma Pandorine skrinjice napisali Daša Doberšek, Branko Jordan in Nataša Matjašec. Vsi trije mladi avtorji, ki jih sicer bolj poznamo kot igralce, so pisali v uglašenem dogovoru z režiserjem Matjažem Pograjcem, s katerim so v takšni ali drugačni vlogi že prej sodelovali.
Tokrat so kot dramatiki pisali tako rekoč “na kožo” uprizoritve, kar je svojevrsten eksperiment. Stare Wedekindove znance spremljamo ujete v geografijo Zahoda. Berlin. Pariz. London. S to razliko, da je njihova femme fatale mrtva. Poslali so jih na popotovanje, hlastajoče po življenjski sli in svobodi, ki jo je utelešala Ona. Vendar se z vsakim novim krogom pogrezajo globlje v razkroj telesa in spomina ... Bliža se konec sveta. Pojdimo na Zahod.
Praizvedba Lulubaj v režiji Matjaža Pograjca je tudi popotovanje, ki gledalcev ne pelje samo po zavitih labirintih človeškega dna, ampak tudi po neznani geografiji stare Armerije.
The text of Luluby, based on the motives of Wedekind’s Lulu or Pandora’s Box, was written by Daša Doberšek, Branko Jordan and Nataša Matjašec. All three young authors, otherwise better known as actors, wrote in harmonious agreement with the director Matjaž Pograjc, with whom they had all worked before.
This time, they were in the role of playwrights, writing specifically for the performance, which in itself is an unusual experiment. We are following our old acquaintances from Wedekind, who are trapped into the geography of the West. Berlin. Paris. London. With one difference: their femme fatale is dead. They were sent on a journey, gasping for life-force and freedom that She was the incarnation of. Yet with each new circle they are sinking deeper into the decomposition of body and memory … The end of the world is near. Let’s go west.
The first staging of Luluby, directed by Matjaž Pograjc, is also a journey that does not merely take the audience through the maze of the human depths, but also through the unknown geography of the old Armeria.